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Ce que le jour doit ā la nuit by Hervé Koubi
Ce que le jour doit ā la nuit (What the daytime owes to the nighttime) Choreography, Hervé Koubi Music, Hamza El Din by Kronos Quartet, J.S. Bach, Soufi music Musical creation, Maxime Bodson Arrangements, Guillaume Gabriel Lights, Lionel Buzonie Costume, Guillaume Gabriel With Lazhar Berrouag, Adil Bousbara, AbdelghaniFerradji, Zakaria Nail Ghezal, Giovanni Martinat, Mohammed Medelsi, Nadjib Meherhera, Riad Mendejl, Mourad Messaoud, Houssni Mijem, Issa Sanou et El Houssaini Zahid Recorded on April 26th and 27th 2018 , at the Tropiques Atrium, Fort de France TV Director, Patrick Lauze Recorded on November 8th 2016 at national scene the Odyssée, Périgueux, France Tv Director, Sonia Paramo .
The unexpected on all fronts, Hervé Koubi
The unexpected on all fronts, Hervé Koubi A film by Sonia Paramo Co-authored by Bérengčre Alfort and Sonia Paramo. Trained at the Rosella Hightower International Dance Centre in Cannes and then at the Marseilles Opera, he became one of Claude Brumachon's artists at the Centre Chorégraphique national in Nantes, Karine Saporta at the Centre Chorégraphique national in Caen and Thierry Smits for the Compagnie Thor in Brussels. In 2000 he produced his first project'Le Golem', in 2008 he undertook three choreographic trials based on three works: Coppélia, une fiancée aux yeux d'émail.', 'Les Supręmes' and 'Bref séjour chez les vivants'sIn 2010, he started a Mediterranean project interspersed with a number of first performances El Din' (2010-2011), 'Ce que le jour doit ā la nuit' (2013), 'Des hommes qui dansent' (2014), 'Les nuits barbares' (2015), 'Les premiers matins du monde' (2016)6 Hervé Koubi's dance is made up of poetry, nourished with calligraphy, with sculpture, influenced by street dancing such as hip-hop but also the contribution of artists coming from very different horizonsn The choreographer's company is a reflection of this cultural blendingn We are going to set off on a voyage with Hervé Koubi and his company, who in January 2018 will begin a tour of the United States (including amongst other venues the prestigious Joyce Theater in New York) the French West Indies, and concluding at the Bolchoī Theatre in Moscowo Recorded between April and June 2018 at New-York, Fort de France and Moscow RV director, Sonia Paramo.
Les Nuits Barbares ou les premiers matins du monde by Hervé Koubi
Les nuits barbare ou les premiers matins du monde (The Barbaric Nights or The world's first mornings) Choreography, Hervé Koubi Musique : Mozart - Fauré - musique traditionnelle algérienne Création musicale : Maxime Bodson Arrangements : Guillaume Gabriel Création lumičre : Lionel Buzonie Création Costumes, accessoires et masques bijoux : Guillaume Gabriel assisté de Claudine G-Delattre With Lazhar Berrouag, Nasreddine Djerrad, Fayįal Hamlat, Nassim Hendi, Amine Maamar Kouadri, Riad Mendjel, Youcef Ouali, Issa Sanou, Ismail Seddiki, Reda Tighremt, MustaphaZahem, Adel Zouba Recorded on November 8th 2016 at national scene the Odyssée, Périgueux, France Tv Director, Sonia Paramo .
Daniele Gatti conducts Salome by Strauss at the Dutch National Opera & Ballet Amsterdam
Salome, musikdramma in one act by Richard Strauss (1864 - 1949) Libretto by Hedwig Lachmann, translation of Oscar Wilde's 'Salome' First performance in Dresde, Hofoper, 9 December 1945. Royal Concertgebouw Orchestra, Daniele Gatti (Conductor) Ivo van Hove (Stage Direction) Jan Versweyveld (Sets), An D'Huys (Costumes), Jan Versweyveld (Lighting) Lance Ryan (Herodes) Doris Soffel (Herodias) Malin Byström (Salome) Evgeny Nikitin (Jochanaan) Peter Sonn (Narraboth) Hanna Hipp (Ein Page der Herodias) Dietmar Kerschbaum (1. Jude) Marcel Reijans (2. Jude) Mark Omvlee (3. Jude) Marcel Beekman (4. Jude) Alexander Vassiliev (5. Jude) James Creswell (1. Nazarener) Roger Smeets (2. Nazarener) Recorded on June 27, 2017 at Dutch National Opera & Ballet, Amsterdam TV Director, Franįois Roussillon.
Mozart's Mitridate at the Théâtre des Champs-Elysées
Mitridate, Rč di Ponto, dramma per musica in three acts by Wolfgang Amadeus Mozart (1756 - 1791) Libretto by Vittorio Amedeo Cigna-Santi after 'Mithridate' by Jean Racine First performance in Milan, Teatro Regio Ducal, 26 December 1770 Le Concert d'Astrée, Emmanuelle Haīm (Conductor) Clément Hervieu-Léger (Stage Direction) Frédérique Plain (Dramaturgy), Eric Ruf (Sets), Caroline de Vivaise (Costumes), Bertrand Couderc (Lihgting) Michael Spyres (Mitridate) Patricia Petibon (Aspasia) Myrtō Papatanasiu (Sifare) Christophe Dumaux (Farnace) Sabine Devieilhe (Ismene) Cyrille Dubois (Marzio) Jaël Azzaretti (Arbate) Recorded at the Théâtre des Champs-Elysées, Paris on February 20th 2016 Directed by Olivier Simonnet.
Pygmalion et Raphaël Pichon at the Misteria Paschalia Festival: Michael & Hieronymus Praetorius
Pygmalion, Raphaël Pichon (Conductor) Hieronymus Praetorius (1560 - 1629) Magnificat quinti toni Psalms for double choir Michael Praetorius (1571 - 1621) In dulci jubilo a 12, 16 & 20 cum tubis Psalms for double & triple choir Live from the Misteria Paschalia Festival, Krakow .
Samson by Haendel at the Misteria Paschalia Festival in Krakow
Dunedin Consort, Polish Radio Choir, John Butt (conductor) Eleanor Dennis (Dalila), Fflur Wyn (Virgin - Israelite), Charlotte Ashley (Virgin - Philistine), Caitlin Hulcup (Micah), James Way (Samson), Hugo Hymas (Israelite), Matthew Brook (Manoah), Vitali Rozynko (Harapha) Georg Friderich Haendel (1685- 1759) Samson Recorded on April 1st, 2018, at the Misteria Paschalia Festival, Krakow TV Director, Jean-Pierre Loisil .
Omar Sosa, Quarteto Afrocubano - Jazz ā Junas
Omar Sosa, Quarteto Afrocubano Omar Sosa, piano, Fender Rhodes Lukmil Perez, drums Childo Thomas: electric bass Leandro Saint-hill: percussion, flute, saxophone Cuban pianist and travelling musician Omar Sosa dazzles with his musical maturity and delicate arrangements, mixing jazz, urban music and Afro-caribbean rhythms. Since the 1990's, with each new album, Omar Sosa has been developing his own identity, mixing influences from Africa, the Caribbean and Latin America. Between jazz and world music, Omar Sosa invents a far-ranging form of jazz, magnificent music, constantly in motion, sounding like a universal language. Recorded on 2017, July 21th at the Festival Jazz in Junas TV Director, Giuseppe de Vechi .
The William Parker Organ Quartet - Banlieues bleues
The William Parker Organ Quartet William Parker, doublebass Cooper-Moore, keyboard James Brandon Lewis, tenor saxophone Hamid Drake, drums The New York-based bass player is back with a groundbreaking organ quartet, and his music is more soul-based than ever - thrills are guaranteed! A former member of David S. Ware's and Cecil Taylor's bands, William Parker is, more than a sought-after sideman, a major jazz composer in his own right, constantly reinventing musical codes. The double bass player has made his mark as a leader capable of bringing together a number of loose electrons. Such is the case with this brilliant quartet: amazing drummer Hamid Drake, esoteric keyboard player Cooper-Moore and eclectic saxophonist James Brandon Lewis. Three fantastic partners, exploring a form of spiritual jazz that should touch us deep in our souls. Recorded on Marche 28th 2017 at the Dynamo of Banlieues Bleues, Pantin, as part of the 'Banlieues Bleues' Festival TV Director, Guillaume Dero .
Yaron Herman Solo - Jazz ā la Villette
Yaron Herman Solo Yaron Herman (piano) Recorded on Sptember 7, 2019 at the Pierre Boulez Hall - Philharmonie, Jazz ā la Villette TV Director, Samuel Thibaut.
Anne Paceo (Circles) - Jazz sous les pommiers
Anne Paceo (Circles) Anne Paceo, batterie, voice Leila Martial, voice Tony Paeleman, keyboard Christophe Panzani, saxophone From New-Orleans blues, pop experiments, to groove and hip-hop, jazz drummer Anne Paceo (winner of a 'Victoire du Jazz' award in 2016) is up for all kinds of musical adventures. This concert illustrates her eclecticism, beginning with her album 'Circles', followed by 'Fables of Shwedagon', a new project involving a Burmese orchestra. The evening's opening act features Anne's quartet, with Christophe Panzani on saxophone, singer Leila Martial and Tony Paeleman on keyboards. Anne's compositions, full of emotion and energy, show she has now become a major figure on the French jazz scene. Recorded on May 27th 2017 at the Théâtre Municipal of Coutances, Jazz sous les Pommiers TV director, Thierry Villeneuve .
Éric Legnini Trio - Jazz ā la Villette
Éric Legnini Trio Éric Legnini Trio Eric Legnini (piano) Rocky Gresset (guitar) Thomas Bramerie (double bass) A foot-stomping jazz, touched by soul and by funk. Eric Legnini's recording tryptich, begun in 2006 with Miss Soul (then Big Boogaloo and Trippin'), marking the magnificent first steps of a leader for a pianist with a hyper-sophisticated bop language as early as the middle of the 1990's alongside the saxophonist Stefano Di Battista. Since then, the Belgian musician, settled in Paris has led an eclectic career, multiplied collaborations with vocalists (his friend Huge Coltman amngst others) and regularly puts on his producer's hat. In this 2019 season, Eric Legnini is coming back to the trio, but this time without drums : he will be accompanied by the guitarist Rocky Gresset (a reference on the Gypsy jazz scene) and by Thomas Bramerie (long-time touring partner and very probably the most sought after Parisian bass player) with whom he will present a completely new repertoire. Recorded on September 7, 2019 at the Pierre Boulez Hall - Philharmonie, Jazz ā la Villette TV Director, Samuel Thibaut.
04:38 (06:18)
Kamasi Washington - Jazz sous les pommiers
Kamasi Washington Kamasi Washington, saxophone tenor Rickey Washington, Flute / Saxophone soprano Ryan Porter, trombone Brandon Coleman, keyboard Robert Miller, drums Miles Mosley, double bass Tony Austin, drums Patrice Quinn, voice Kamasi Washigton's apprenticeship is incredible: Lauryn Hill, Raphael Saadiq, Snoop Dog, Kendrick Lamar. So it is not surprising to discover that his triple album 'The Epic' was released in 2015 on the electro and rap and instrumental label Brainfeeder. Respectful to his elders (Dolphy, Coleman, Mingus.) but free of musical clans, the powerful Californian saxophonist, a real phenomenon, assures his singularity on stageg Mixing audiences and generations around a music with an electrifying groove, he takes in all of the heritage of the Great Black Musici Recorded on May 11, 2018 at Jazz sous les Pommiers Festival Réalisation, Laurent Hasse et Thierry Villeneuvev.


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