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Roberto Fonseca and Fatoumata Diawara - Pori Jazz Festival
The musical rendezvous of Malian vocalist Fatoumata Diawara and the Cuban pianist Roberto Fonseca is a unique genre-bending collaboration. Diawara, 32, combines his native country's musical tradition and pop influences with remarkable ease. Fonseca, a Buena Vista Social club collaborator, treks the various paths suggested by the rich musical tradition of Africa and Cuba, always adding something contemporary to the mix.
Éric Legnini Trio - Jazz à la Villette
Éric Legnini Trio Éric Legnini Trio Eric Legnini (piano) Rocky Gresset (guitar) Thomas Bramerie (double bass) A foot-stomping jazz, touched by soul and by funk. Eric Legnini's recording tryptich, begun in 2006 with Miss Soul (then Big Boogaloo and Trippin'), marking the magnificent first steps of a leader for a pianist with a hyper-sophisticated bop language as early as the middle of the 1990's alongside the saxophonist Stefano Di Battista. Since then, the Belgian musician, settled in Paris has led an eclectic career, multiplied collaborations with vocalists (his friend Huge Coltman amngst others) and regularly puts on his producer's hat. In this 2019 season, Eric Legnini is coming back to the trio, but this time without drums : he will be accompanied by the guitarist Rocky Gresset (a reference on the Gypsy jazz scene) and by Thomas Bramerie (long-time touring partner and very probably the most sought after Parisian bass player) with whom he will present a completely new repertoire. Recorded on September 7, 2019 at the Pierre Boulez Hall - Philharmonie, Jazz à la Villette TV Director, Samuel Thibaut.
Eric Truffaz Quartet - Jazz in Marciac
Erik Truffaz (trumpet) Marcello Giuliani (bass) Benoît Corboz piano (Fender Rhodes) Marc Erbetta (drums) With special guests Nya (voice) Guillaume Perret (saxophone) The trumpet player of Swiss origin, Erik Truffaz,is one of the first European jazzmen to have successfully approached drum'n'bass. In 1991 he founded a quartet which today is composed of Benoît Corboz (keyboards), Marcello Giuliani (bass) and Marc Erbetta (drums and percussion),he explores electronic jazz-fusion much in the same way as Miles Davis and recorded several albums starting from 1994. After an incursion into into rock at the head of his Ladybird Quartet created in 2001, he returned to the formula which had made him successful. In his world, always deeply influenced by Miles Davis, the stridencies of rock alternate with the poetic respites, the rousing grooves with more calm ballads. Recorded at Jazz in Marciac Festival (Circus top), on August 6, 2018 TV Director, Jean-Marc Birraux.
The Bad Plus plays 'Science Fiction' by Ornette Coleman - Jazz à la Villette
The Bad Plus Ethan Iverson - piano Reid Anderson - bass Dave King - drums invites - Tim Berne - alto saxophone Sam Newsome - soprano saxophone Ron Miles - trumpet Recorded on September 12nd 2015 at La Villette jazz festival, Cité de la Musique, Philharmonie 2 TV Director, Samuel Thiebaut.
L'Orfeo by
L'Orfeo, favola in musica in a prologue and five acts by Claudio Monteverdi (1567 - 1643) Libretto by Alessansdro Striggio First performance in Mantue, Palazzo Ducale, 24 February 1607 Cappella Mediterranea, Leonardo García Alarcón (Conductor) Chœur de chambre de Namur Jean Bellorini (Stage Direction, Lighting) Valerio Contaldo (Orfeo) Giuseppina Bridelli (Messagiera) Anna Reinhold (Proserpina) Konstantin Wolff (Plutone) Salvo Vitale (Caronte) Francesca Aspromonte (soprano) Leandro Marziotte, Alessandro Giangrande, Nicholas Scott, Matteo Bellotto (shepherds) Recorded on June 20, 2017 at the Saint-Denis Festival Directed by Julien Condemine .
Karajan and the Berlin Philharmonic : Symphony No. 7 by Beethoven
Berliner Philharmoniker, Herbert von Karajan (Conductor) Ludwig van Beethoven Symphony no. 7 in A major, op.92 Recorded in 1971 .
The Sacral Dance by the Compania Danza Contemporanea de Cuba
The Sacral Dance Choregraphy by Christophe Béranger, Jonathan Pranlas-Descours, Jorge Cespédes and Julio Cesar Iglesias Compania Danza Contemporanea de Cuba Music, Igor Stravinsky Musique traditionnelle cubaine, National Electronica Concept, scenography, Christphe Béranger a,d Jonathan Pranlas-Descourts, Jorge Cespédes and Julio Cesar Iglesias Director of the company, Miguel Iglesias Ferrer Manager of the company, Jorge Brooks Recorded on May 2018 at the Gran Teatro de la Habana , Alicia Alonso, Cuba Réalisé par Patrick Lauze.
Havana Danza ! Ballet Danza Contemporanea Of Cuba
Havana Danza, Danza contemporanea de Cuba 4 choreographies : CARMEN Choreography by Kennetth Kvamström Music by R. Schredin, G. Bizet FOLIA Choreography by Jan Linkens Music by G. Faidit, A. Martin, G. Koehne DEMO-N/ CRAZY Choreography by Rafael Bonachela Music by Bebe, J. Wolfe, E. Morente. MAMBO 3 XXI Choreography by George Cespédes Music by Berny Moré / Nacional Electronica With Michel Avalos - Heidy Batista - Daileidys Carrazana - George Céspedes - Yosmell Calderón - Yoerlis Brunet - Edson L. Cabrera - Norge Cedeño - Osnel Delgado -Wuilleys Estacholi - Alberto González - Yelda Leyva - Daylis López -Jennifer Martín - Jenny Nocedo - Marta Ortega - Gabriela Piñeiro - Yaday Ponce - Abel Rojo - Thais Suárez - Joel Suárez -Jennifer Tejeda - Aymara Vila. Recorded on 2011 at the National Theater Garcia Lorca, La Havana, CUBA TV Director, Sonia Paramo .
Orchestre de Chambre de Lausanne & Joshua Weilerstein: Mozart & Haydn
Orchestre de Chambre de Lausanne, Joshua Weilerstein (Conductor) Adam Laloum (piano) Joseph Haydn (1732 - 1809) Symphony no. 98 in B flat major, Hob. I: 98 Wolfgang Amadeus Mozart (1756 - 1791) Piano Concerto no. 23 in A major, KV 488 Symphony no. 38 in D major 'Prague', KV 504 Recorded on 18 June 2016 at the la Maison de la Légion d'Honneur, Pavillon de Musique (Saint-Denis), Festival de Saint-Denis Directed by Isabelle Soulard .
The Coronation Mass by Mozart in Versailles
Ensemble Matheus, Cor de Cambra del Palau de la Música Orfeó Català, Jean-Christophe Spinosi (Conductor) Simon Halsey (Chorus Master) Soraya Mafi (Soprano), Josè Maria Lo Monaco (Mezzo-soprano), Julien Behr (Tenor), Luigi De Donato (Bass) Wolfgang Amadeus Mozart (1756 - 1791) Mass in C major, K.317 'Coronation' Recorded at the Château de Versailles, Chapelle Royale, on June 18, 2017 Directed by Benjamin Bleton .
23:30 (00:00)
Laurent Coulondre Trio - Nancy Jazz Pulsations
Laurent Coulondre Trio at Nancy Jazz Pulsations 2015 Laurent Coulondre, piano, organ Rémi Bouyssière, bass, double bass Martin Wangermée, drums Laurent Coulondre belongs to a generation of young musicians who take jazz into unexplored territory. With a sharp sense of rhythm and harmony, he plays the piano and the organ with consummate ease and shows, at his young age, breathtaking musicality, technique and flair. Laurent Coulondre has defined the new concept of the 'reversible trio', and a new sound identity. Alternating betweed the classical trio - piano, double bass and drums - and another form comprising organ, 6-string bass and drums, his music is innovative and challenging, without ever losing touch with its audience. Recorded on October 8th 2015, Poirel hall, Nancy Jazz Pulsations TV director, Sylvain Pierrel.
05:12 (06:10)
David Murray Infinity Quartet feat. Saul Williams - Banlieues Bleues
After soul sister Macy Gray, with whom he recorded an album, the ever-inventive saxophonist brings us a brand new body of work inspired by the slam poetry of Saul Williams. DAVID MURRAY tenor saxophone, bass clarinett, ORIN EVANS piano, JARIBU SHAHID bass, NASHEET WAITS drums, SAUL WILLIAMS voice He appears with the Infinity Quartet, named after his early years at the Infinity loft-studio in New York, and with Saul Williams himself. A great choice: over the past fifteen years, the star of the independent film 'Slam' has been standing out among rappers and slam poets with the quality of his writing and the intensity of his performances. His punch lines make him a unique performer - a remarkable poet with a powerful rap-soul voice. In David Murray, who previously worked with writers Amiri Baraka and Ishmael Reed, Williams has found an ideal partner. A match made in heaven. .


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