Boris Godunov Opera in a prologue and four acts by Modest Mussorgsky (1839 - 1881) Libretto by Modest Mussorgsky based upon 'Boris Godunov' by Alexander Pushkin First performance in St Petersburg, Mariinsky Theatre, 8 February 1874 Bolshoi Thatre Chorus & Orchestra, Tugan Sokhiev (conductor) Valery Borisov (Chorus master) Igor Ushakov (Stage Director) Alyona Pikalova (Sets), Elena Zaytseva (Costumes), Sergei Shevchenko (Lighting), Ekaterina Mironova (Choreography) Mikhail Kazakov (Boris Godunov) Albina Latipova (Xenia) Ekaterina Vorontsova (Fyodor) Anastasia Bibicheva (Xenia's Nurse) Maxim Paster (Prince Vasily Ivanovich Shuisky) Andrei Potaturin (Andrei Shchelkalov) Denis Makarov (Pimen) Agunda Kulaeva (Marina Mnishek) Andrii Goniukov (Varlaam) Ivan Maximeyko (Missail) Elena Manistina (Innkeeper) Behzod Davronov (Simpleton) Nikolai Kazansky (Nikitich) Alexander Borodin (Mityukha) Irina Rubtsova / Evgenia Segenyuk (Two Women) Recorded at the Bolshoi Theatre, Moscow, 19 December 2019 .

Cappella Mediterranea, Leonardo García Alarcón (Organ, Spinet, Conductor) Mariana Flores, Francesca Aspromonte (sopranos) Raffaele Pé (countertenor) Emiliano Gonzalez-Toro (tenor) Matteo Bellotto (bass) Alessandro Scarlatti Sigismondi d'India Carlo Gesualdo Madrigali Sicilian traditional songs Recorded 12 September 2014 at the Abbatiale, Festival d'Ambronay, France Directed by Isabelle Soulard and Christian Leblé .

Les Arts Florissants, William Christie, Paul Agnew (Conductors) Sandrine Piau (soprano), Lea Desandre (mezzo-soprano), Christophe Dumaux (countertenor), Marcel Beekman (haute-contre), Marc Mauillon (baritone), Lisandro Abadie (bass) Works by Marc-Antoine Charpentier (1643 - 1704), Georg Friedrich Haendel (1685 - 1759), Jean-Baptiste Lully (1632 - 1687), Henry Purcell (1659 - 1695) and Jean-Philippe Rameau (1683 - 1764) Recorded at the Philharmonie de Paris, 21 December 2019.

Royal Concertgebouw Orchestra, Iván Fischer (Conductor) Isabelle Faust (Violin), Tabea Zimmermann (Viola) Gioachino Rossini (1792 - 1868) Overture to 'L'italiana In Algeri' Wolfgang Amadeus Mozart (1756 - 1791) Sinfonia Concertante, K364 Gioachino Rossini Ouverture to 'La Gazza Ladra' Joseph Haydn (1732 - 1809) Symphony no. 102 in B-flat major Recorded 12 December 2019 at the Concergebouw, Amsterdam .

Ensemble Correspondances, Sébastien Daucé (Harpsichord, Organ & Conductor) Marc-Antoine Charpentier (1643 - 1704) La Peste de Milan H. 398 Te Deum H. 147 Messe pour les trépassés H. 2 Motet pour les trépassés H. 311 Leçon de Ténèbres H. 120 Recorded on 13 September 2014, Abbatiale, Festival d'Ambronay Directed by Isabelle Soulard et Christian Leblé.

Pieces from New York Angelin Preljocaj, choreographer Ballet Preljocaj Spectral Evidence (2013) For 8 dancers Music, John Cage Costume, Olivier Theyskens Lighting, Mark Stanley Recreated by, Dany Levêque With Victor Caliz Martinez, Baptiste Coissieu, Verity Jacobsen, Jean-Charles Jousni; Emilie Lalande, Céline Marié, Nuriya Nagimova, Simon Ripert La Stravaganza (1997) For 12 dancers Music by : Antonio Vivaldi (Concerto n°8, RV249, extracts from Dixit Dominus, Laudate Pueri Dominum) Evelyn Ficarra (Source of Uncertainty) Serge Morand (Naïves) Robert Normandeau (Eclats de voix) Åke Parmerud (Dark Objects) Scenography, Maya Schweizer Costume, Hervé Pierre Lighting, Mark Stanley Recreated by, Noémie Perlov With Verity Jacobsen, Nuriya Nagimova, Emilie Lalande, Anna Tatarova, Margaux Coucharrière, Céline Marié, Victor Caliz Martinez, Simon Ripert, Baptiste Coissieu, Jean-Charles Jousni, Aaron Smeding, Redi Shtylla Live from Festival Montpellier Danse, Opéra Berlioz - Le Corum TV Director, Denis Caïozzi.

La Fresque (The Painting on the Wall) Angelin Preljocaj, choreography After the chinese traditional fairy, The Painting on the Wall Preljocaj Ballet Nicolas Godin, Music collaboration on specific tracks Azzedine Alaïa, Costume Constance Guisset, Sets and video Erice Soyer, Lumières Dancers Yurié Tsugawa, Margaux Coucharrière, Clara Freschel, Nuriya Nagimova, Anna Tatarova, Jean-Charles Jousni, Sergi Amoros Aparicio, Marius Delcourt, Antoine Dubois, Fran Sanchez Take a look beyond the surface of images with Ballet Preljocaj, in a performance at the crossroads between culture, aesthetics and time. When dance tells us about tales and popular representations, icons and illusion. Recorded on June 15th, 16th et 17th 2017 at La Criée, National Theater of Marseille, France TV Director, François-René Martin .

Juan Carmona Septet Juan Carmona (guitar, composition) Piculabe (Voice) Noemie Humanes (Voice), Gest dancer, Paco Carmona (guitar), Domingo Patricio (flute), Kike Terron (percussions), El Bachi (bass) Juan Carmona is one of a kind in modern flamenco. A French gypsy of Andalusian origin, born in Lyon (in 1963), loyal to the Aubagne region where he plays out his passion (and where he runs the Nuits Flamencas festival), the guitarist has won countless prizes and awards and is renowned in Spain and around the world. Carmona spent ten years living in Jerez de la Frontera in Andalusia to gain in-depth knowledge of the flamenco culture. Whilst there he performed with singers such as Agujetas and Duquende and recorded with Chano Domínguez, the Cadix pianist, among others. The Frenchman's rich array of sounds, ingenious compositions, pure instrumentals and, most importantly, his talent for improvisation in this harmonic jazz-heavy piece, makes him one of the most respected guitarists in the last 30 years. Alchemya (2013) is still a flamboyant self-portrait of a record blending flamenco with jazz fusion. With his 35 guest cadors, Juan Carmona also gives us a great lesson in the art of hospitality. The borderless musician returned from an Asian tour with Perla de Oriente in 2016 with an album recorded live in the studio. A new travel journal in which the gypsy wanders the duende paths alongside El Piculabe's? raspy melismas. Recorded on July 03, 2019 at Jazz à Vienne TV Director, MFabien Raymond.

Dhafer Youssef, oud, vocals Eivind Aarset, electric-guitars Kristjan Randalu, piano Phil Donkin, double bass Ferenc Nemeth, drums On his last album Birds Requiem, Tunisian singer and oud maestro Dhafer Youssef explores all possible combinations between traditional Arabic music and contemporary jazz and rock. From the sacred to the profane, from the divine to the earthly, discover an incantatory voice beyond compare.

Das Kapital 'Eissler explosion' Edward Perraud - drums Daniel Herdmann - saxophone Hasse Poulsen - guitar and The Orchestre d'Harmonie du Conservatoire et de l'Académie supérieur de musique de Strasbourg 'Eisler's hand' (Tim Garland) Recorded on November 9 & 10, 2018 at the Auditorium de la Cité de la Musique et de la Danse de Strasbourg TV Director, Josselin Carré.

Rosario Giuliani - alto sax Roberto Tarenzi - piano, Dario Deidda - bass, Mimì Verderame - drums.

Ethan Iverson: piano Reid Anderson: bass David King: drums.

The musical rendezvous of Malian vocalist Fatoumata Diawara and the Cuban pianist Roberto Fonseca is a unique genre-bending collaboration. Diawara, 32, combines his native country's musical tradition and pop influences with remarkable ease. Fonseca, a Buena Vista Social club collaborator, treks the various paths suggested by the rich musical tradition of Africa and Cuba, always adding something contemporary to the mix.

Count Basie Palais des Beaux-Arts, Charleroi 'Who, Me?. ' (Snooky Young),'The Midgets' (Frank Wess, Joe Newman, Eddie Jones, Count Basie, Freddie Green, Sonny Payne) ,'Gee Baby Ain't I Good To You' (Joe Williams),'Hallelujah I Love Her So' (Joe Williams) ,'Lil' Darlin'' (Count Basie). With big band featuring Snooky Young (trumpet), Frank Wess (flute), Joe Williams (voice), Joe Newman (trumpet), Eddie Jones (bass), Freddie Green (guitar), Sonny Payne (drums) 1961 Recorded on 1961 TV Director, Serge Leroy .