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Special Tribute to Marius Petipa, Mariinsky Theatre Ballet
Special Tribute to Marius Petipa Mariinsky Theater orchestra Valery Gergiev, conductor Mariinsky Theater ballet Les Saisons (The Seasons) (??????? ????), op 67 (New Creation) Music, Alexandre Glazounov Choreography, Konstantin Keikhel Libretto, Natalia Chumina Sets and Costumes de Sergei Illarionov Light designer, Konstantin Binkin Video Designer, Maria Feodoridi, Maxim Malovichko With Yekaterina Chebykina, Roman Belyakov and the Artists of The Mariinsky Ballet A Midsummer Nights Dream (Act II) Choreography, George Balanchine Music, Félix Mendelssohn-Bartholdy Staging, Sandra Jennings Production Design, Luisa Spinatelli Lighting, Sergei Lutkin With Pas de deux, Oxana Skorik et Konstantin Zverev Titania, Queen of the Fairies, Anastasia Kolegova Oberon , King of the Fairies, David Zaleyev Puck, Vasily Tkachenko Hippolyta, Queen of the Amazons, Anastasia Matvienko Hermia, In love with Lysander, Yana Selina Lysander amoureux de Hermia, Yuri Smekalov Helena, in love with Demetrius, Zlata Yalinich Demetrius, suitor of Hermia, Alexander Romanchikov Theseus, DuDuke of Athens, Vitaly Amelishko Soprano, Lyudmila Dudinova and the Mariinsky Teather Children chorus Chorus master, Irina Yatsemirskaya The Sleeping Beauty (Act III) Music, P I Tchainovsky Choreography, Marius Petipa (1890) Libretto, Ivan Vsevolozhsky et Marius Petipa, after Charles Perrault's tales Set design, Heinrich Levogt, Mikhail Bocharov, Ivan Andreev, Konstantin Ivanov et Matvei Shishkov Costumes, Ivan Vsevolozhsky (revival of the 1890 production) The revival team Choreography staged, Sergei Vikharev Sets reproduced,Andrei Voitenko Costumes reproduced, Elena Zaitseva Lighting, Vladimir Lukasevich With The King . Florestan XIV, Vladimir Ponomarev The Queen . Elena Bazhenova Princess Aurore, their daughter , Alina Somova Prince Désiré, Xander Parish The Lilac Fairy, Ekaterina Kondaurova Carabosse, the evil fairy, Islom Baimuradov Catalabutte, Master of Ceremonies, Andrei Yakovlev Pas de quatre The Diamond Fairy Valeria Martynyuk The Sapphire Fairy, Kumiko Ishii The Gold Fairy, Vlada Borodulina The Silver Fairy, Shamala Guseinova Pas de caractère The White Cat, Xenia Ostreikovskaya Puss in Boots, Fyodor Murashov Pas de deux Princess Florine, Maria Shirinkina The Blue Bird, Alexei Timofeyev Pas de caractère The little red riding hood, Svetlana Russkikh The Big Bad Wolf, Daniil Lopatin Pas de deux Princess Aurore, Alina Somova Prince Désiré, Xander Parish Fairy-tale characters, court dancers, gods, goddesses Artists of The Mariinsky Ballet Recorded on January 11th 2018 at the Mariinsky Theater TV Director, François-René Martin .
Elena Schwarz and the Luzerner Sinfonieorchester: Beethoven at the Gstaad Sommets Musicaux
Luzerner Sinfonieorchester, Elena Schwarz (Conductor) Kit Armstrong (piano), Renaud Capuçon (violon), Edgar Moreau (cello) Ludwig van Beethoven (1770-1827) Triple concerto in C major for piano, violin, cello and orchestra, op. 56 Symphony no 1 in C major, op. 21 Recorded 31 January 2020 at the Eglise de Saanen (Sommets Musicaux de Gstaad) .
Jean-Guihen Queyras and Alexandre Tharaud: Bach, Shostakovich, Berg, Brahms
Jean-Guihen Queyras (cello), Alexandre Tharaud (piano) Johann Sebastian Bach (1685 - 1750) Sonata for cello and piano No. 2 in D major BWV 1028 Dmitri Shostakovich (1906 - 1975) Sonata for cello and piano in D minor op.40 Alban Berg (1885 - 1935) 4 pieces op. 5, version for cello and piano Johannes Brahms (1833 - 1897) Sonata for cello and piano No.1 in E minor op.38 Recorded on February 1st, 2018 at the Auditorium de Radio France, Maison de la Radio, Paris Directed by Nathan Benisty.
Valery Gergiev and the Mariinsky Orchestra: Symphonies No.6 & 7 by Prokofiev
Mariinsky Theatre Orchestra, Valery Gergiev (Conductor) Alexander Ramm (cello) Sergei Prokofiev (1891 - 1953) Symphony no. 6, op 111 Sinfonia Concertante op 125 Symphony no. 7 op 131 Recorded on April 24th 2016 at the Mariinsky Theatre, Saint Petersburg TV direction by François-René Martin .
Massenet's Cendrillon at the Glyndebourne Festival
Cendrillon Conte de fées in four acts by Jules Massenet (1842 - 1912) Libretto by Henri Cain after Charles Perrault's fairy-tale First performance in Paris, Opéra Comique, 24 May 1899 London Philharmonic Orchestra, John Wilson (Conductor) The Glyndebourne Chorus Fiona Shaw (Stage Director) Jon Bausor (Set Designer), Nicky Gillibrand (Costume Designer), Anna Watson (Lighting Designer) Danielle de Niese (Cendrillon) Kate Lindsey (Le Prince Charmant) Nina Minasyan (La Fée) Lionel Lhote (Pandolfe) Agnes Zwierko (Madame de la Haltière) Eduarda Melo (Noémie) Julie Pasturaud (Dorothée) Recorded at the Glyndebourne Festival, 30 June 2019 TV Director, François Roussillon .
Orchestre Philharmonique de Monte-Carlo, Kazuki Yamada, Truls Mørk: Saint-Saëns, Franck
Monte-Carlo Philharmonic Orchestra, Kazuki Yamada (conductor) Truls Mørk (cello) Camille Saint-Saëns (1835 - 1921) Cello Concerto No. 1 in A minor, Op. 33 César Franck (1822 - 1890) Symphony in D minor Monte-Carlo, Auditorium Rainier III, November 28, 2021.
Meyer & Writing Ground d'Alonzo King. Maison de la Danse de Lyon
MEYER and WRITING GROUND Two choreographies by Alonzo King Lines Ballet MEYER Original music by Edgar Meyer Lights by Axel Morgenthaler Costumes by Robert Rosenwasser WRITING GROUND Sacred music from the Jewish, Christian, Muslim and Tibetan traditions Lights by Axel Morgenthaler Costumes and sets by Robert Rosenwasser Alonzo King founded the Alonzo King Lines Ballet in 1982. 31 years later, it has become one of the world's most prestigious companies. Alonzo King is a great admirer of classical ballet, in which he sees a wonderful science of movement. To this virtuoso technique, he brings a physical, muscular sensuality, an almost feline fluidity refined to the point of pure esthetic pleasure. Meyer, his last creation, was premiered on the 30th anniversary of the company. Written in collaboration with American composer and bass player Edgar Meyer, the music brings purpose and rhythm to bodies and movement. Writing Ground draws its inspiration from the words of writer Colum McCann. In this piece, Alonzo King explores the wealth of traditional music from the Jewish, Christian, Muslim and Tibetan traditions. His choreography becomes a language, at once poetic and electrifying. Recorded at the Maison de la Danse in Lyon, 29 November 2013 Directed by Denis Caïozzi .
Summerspace & Exchange by Merce Cunningham - Opéra de Lyon Ballet, Festival Montpellier Danse
Summerspace (1958) Play for 6 dancers : Kristina Bentz, Julia Carnicer, Tyler Galster, Coralie Levieux, Elsa Monguillot de Mirman, Raúl Serrano Núnez Merce Cunningham (Choreographer) Morton Feldman, Ixion (Music) Robert Rauschenberg (Sets, costume) Aaron Copp (Lighting) Futaba Oki et Agnès Melchoir (Pianists) Exchange (1978) Play for 15 dancers : Jacqueline Bâby, Kristina Bentz, Julia Carnicer, Dorothée Delabie, Adrien Delépine, Alvaro Dule, Aurélie Gaillard, Coralie Levieux, Albert Nikolli, Chiara Paperini, Samuel Pereira, Lore Pryszo, Leoannis Pupo-Guillen, Roylan Ramos, Paul Vezin Merce Cunningham (Choreographer) David Tudor, Weatherings (Music) Phil Edelstein, Jean-Pierre Barbier (Sound Design ) Costume, sets, ligtin : after the original drawings by Jasper Johns Opéra de Lyon Ballet Yorgos Loukos (Director) Recorded on June 25 & 26, 2019 at the Opéra Berlioz, Corum , Festival Montpellier Danse TV Director, Marie-Hélène Rebois.
Philippe Jaroussky conducts Il Primo omicidio by Alessandro Scarlatti
Ensemble Artaserse, Philippe Jaroussky (Conductor) Bruno de Sá (Abel) Christophe Dumaux (Cain) Sandrine Piau (Eva) Kresimir Spicer (Adamo) Yannis François (Lucifero) Paul-Antoine Benos-Dijan (La voce di Deo) Alessandro Scarlatti (1660 - 1725) Il primo omicidio Recorded at the Opéra-Comédie, Montpellier.
Omar Sosa & Yilian Canizares - Jazz à Vienne
Omar Sosa & Yilian Canizares Omar Sosa (piano) Yilian Cañizares (voix, violin), Gustavo Ovalles (percussions) Since leaving Cuba in 1993 and his first albums (Omar Omar and Free Roots, in 1997), Omar Sosa has been on quite a journey. The pianist's thrilling melting pot music is rooted in his Afro-Cuban background, jazz, hip hop, electro, world music and Yoruba spirituality. He formed an incredible trio with Paolo Fresu and Trilok Gurtu to visit us in 2016 for his thirtieth album (Eros). Following Transparent Water bottled with Seckou Keita's kora and the faithful Cuban percussionist Gustavo Ovalles, the Es:sensual (2018) escape with the NDR Bigband and Jacques Morelenbaum, the pianist in white is back with the singer and violinist Yilian Cañizares (born in Havana, based in Switzerland). They've just recorded Agua together, another album devoted to water and specifically Oshun, the goddess of love and spirit of rivers. Something special was sparked with Yilian who came into the public eye with two vibrant albums (Ochumare and Invocacíon). Omar Sosa: "Agua reflects our traditions, our emotions and our nostalgia. I'm 53, Yilian is 35, and together we create meditative music that exudes modesty, peace and dignity. No gimmicks! Everyone thinks that Cuban music is fabulous and should make you want to dance but Cuba has so much more to offer." Recorded on July 08, 2019 at Jazz à Vienne TV Director, Mikaël Favard.
Roberto Fonseca - Jazz in Marciac
Roberto Fonseca Roberto Fonseca piano, claviers Joe Lovano saxophone Yandy Martinez contrebasse, basse Ruly Herrera batterie Andres Coayo Batista percussions Omara Portuondo voix Mayra Andrade voix Rossio Jimenez Blanco chœur Like all musicians born in Cuba and having grown-up in Havana, Roberto Fonseca came out of school ready for work. This multi-disciplinary aptitude enabled numerous projects and encounters. His contribution to Latin music was to have extended his roots into contemporary expression, often with instrumentation closer to that of modern jazz, and this, whilst not losing one ounce of poetry. Because it really is this capacity to make his public dream which characterises this composer/singer/arranger that his female admirers recognise from afar because of the hat which never leaves him and close up by the harmonious lines of his face. Adding on successes in Marciac like so many pearls on his musical necklace, Roberto Fonseca could almost stake claim to having the status of an event organiser. Using ingredients which guarantee his artistic longevity in the domain of Afrocubanism, he put on stage a new group of which the guests are Omara Portuondo, Mayra Andrade, Joe Lovano and an orchestra of pupils from the conservatoires of the Occitanie Region, conducted by Jean-Pierre Peyrebelle. Enregistré le 06 août 2019 à Jazz in Marciac Réalisateur, .
Jazz legends - Trio Earl Hines, Roland Haynes & Wallace Bishop
Trio Earl Hines, Roland Haynes & Wallace Bishop With Earl Hines (piano) Roland Haynes (bass) Wallace Bishop (Drums) Playlist - "I've got the world on a string " - " I'm a little brown bird looking for a blue bird " - " Portrait of Fats Waller " - " Black coffee " - " Boogie woogie on St. Louis blues Recorded on 1966 at Comblain-la-Tour.
Dee Dee Bridgewater - Bayfront Jazz Festival
Dee Dee Bridgewater | Bayfront Jazz Festival 2021 Miami, 2021 Directed by Amos Rozenberg The 2021 inaugural edition of the Bayfront Jazz Festival takes place in Miami's Bayfront Park. The festival's mission is to honor and celebrate the current and future giants of Jazz, Afro-Cuban, Latin and electronic music. This year's unique line-up includes Dee Dee Bridgewater, Roy Ayers, Chucho Valdés, Gonzalo Rubalcaba & Aymée Nuviola and Mark Guiliana's Beat Music. Dee Dee Bridgewater is a daring performer of great depth whose singing talents have earned her three Grammy Awards as well as a Tony Award. At Bayfront Jazz Festival, she performed together with "The Memphis Soulphony".
05:53 (07:23)
Paquito D'Rivera - New Morning
Paquito D'Riviera " Cariberian tour" Paquito D'Rivera (clarinet, saxophone) Pepe Rivero (piano) Reinier Elizarde (bass) Michael Olivera (drums) Manuel Machado (trumpet) Recorded at the New Morning on July 22, 2019 TV Director, Patrick Savey .


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